Lambert is Chicago detective Prudhomme on the trail of a killer who is using the Bible as a guide in order to fulfill his own sick prophecy- resurrecting what he thinks is the body of Christ. The cops catch the killer, lose him, and eventually, a showdown right out of "Seven." The plot is very good, and very complicated for a straight-to-video suspense release. Director Mulcahy shows some incredible chops, although you swear David Fincher had his hands in this. Chicago becomes the Rainy City, as most of the action takes place in a downpour. Lambert plays a typical bitter detective who is still grieving the loss of his son in an accident. The character has been done before, but Lambert shows some very good emotions and his character is smart, not just running around blowing things up. This might be because Lambert also co-produced and co-wrote this, giving himself plenty of moments.
He also gives himself plenty of leaps in logic, as his Cajun cop single-handedly solves the case as if by divine intervention. He comes up with breaks in the case by concentrating and pacing, reading magazines, and making change for a coworker. The film is about twenty minutes too long, and the finale involves putting a newborn baby in peril that represents one of the lowest points in serial killer cinema next to Hannibal Lecter feeding the little girl a "snack" on the plane. This film is unrelentingly dark, and this works for most of the film. The gore is very heavy and very disturbing, and the film is suspenseful in the way "Seven" was. Like that film, however, once the killer is identified, the plot becomes a bit of a letdown, switching from suspenseful cat-and-mouse games with a killer to shoot 'em up action. Definitely not for the squeamish, "Resurrection" is not a great film, but a good one. I would have to guess that if it had received a wider release, it would have tapped into serial killer genre fans and made a little money.
An American Dream (1966)
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